TEMPUS, 1989-2016
22 intervened plastic corbels with self-censored illegible writing
made in black pen.
22 glass vessels intervened by the author.
Measurements are variable depending on the place.
It is a conceptual work whose origin lies in an action by the author carried out in 1988 focused on the concept of Time considered here in musical terms and using the process that is generated in an action that ends with fire.
The work is made up of 22 intervened corbels, -made of plastic material-, distributed and hung on a wall.
On each of them there is a glass from an action of the author carried out in 1988 in which she introduced in each glass, a self-censored illegible writing made on a sheet of parchment paper, adding a Spanish letter with an ambiguous word.
Finally, the whole was set on fire, leaving the residue inside the vessels that were later placed on each of the brackets.s.
Exhibitions
ARCOMadrid 40+1, Madrid, ES, 2022
ARTISSIMA, Aural Galería, Turín (Italia), 2018.
INTERFERENCIAS, CAAM, Las Palmas de Gran Canaria, 2018 (Catálogo pág.40-41)
TRANSGRESIÓN DE TIEMPOS en la Capilla del Oidor de Alcalá de Henares, Madrid, 1989
INTERFERENCIAS Museo de Bellas Artes de Santander, 1996
PUNTO(S) SINGULAR (ES). Galería Aural, Alicante, 2016
