Victoria Wendish - Untitled I

In Victoria Wendish's work there is a recognizable modus operandi that permeates all of the artist's work, articulated in creative strategies that differ subtly, yet are clearly related. The most frequent method is the combination of some materials that are completely exhausted in a long articulated process. The different series that he has done so far lead him to infinite potentials in this way of looking at the world, at the same time that they cause uncertainty regarding the place where the work is located. Certainly, the work cannot be considered a sculpture in the conventional sense of the term, since the objects are only shown in its photographed images.