Three clay plates, unfired in methacrylate boxes each 30,5 x22,5 cm, neon in metriculat box 25 x 4 cm 8m black cable, 9 Document-Files 24x16,5
Descripcion: read me it will translate you in constellation with Fragile Infinity
This work doesn't really need any explanation because it translates into you. If you will. Any other explanation is therefore not necessarily accurate.
An open, spatial narrative naming something that is not yet determined and not yet indeterminate. Literary, “reading” “translates” the reader. Challenging an intuitive knowing that is neither interpreted nor intentional. Some things that can never be googled. Addressing the knowability within the receiver. Ontologically, the conditions of the possibilities based on their nature and the possibilities of this constellation are addressed here.

"read me it will translate you"
Description: 3 unfired clay tablets (very fragile), each in a Plexiglas box for protection and cohesion in the case of an inexorable transitory change in the case of the possible effects of gravity, heat, moisture, etc. Carrying a proposition in its 3 parts. The three clay plates are preferably to be placed in such a way that a rather circular reading, with multifold entrances and exits is favoured in order to make a linear reading less likely or only with additional effort. The clay tablets are conceived horizontally and vary in their direction initiating multiple connections to be found.

In constellation with Fragile Infinity
Neon, infinity sign, also in a Plexiglas box with an 8-meter long power cable, 5 watermelons or in case there are no watermelons, the 9 Documents Drawings .

Footnote regarding the watermelons: Amazed by their planet-like appearance, as a water reservoir in the shape of a globe. In their various types with patterns, smooth surfaces mostly with scarved like drawings that reveal not much more in detail than that they didn't fall from the sky! ( and you know what that means)
At the same time there were also watermelons as I first installed it, as it was during watermelontime and that made me look more closely at them. For me, ‘artrealizing’ is constantly related to living (and the focus is on the verb). My work often consists of small gestures of combining what I have made with what is already there without hierarchy.
Even more intrigued by watermelons when I began researching them and was introduced to the fact that their seeds and drawings had been found in Egyptian tombs, including that of Tutankhamun, dating back over 4000 years.)

Three clay plates, unfired in methacrylate boxes each 30,5 x22,5 cm, neon in metriculat box 25 x 4 cm 8m black cable, 9 Document-Files 24x16,5
Descripcion: read me it will translate you in constellation with Fragile Infinity
This work doesn't really need any explanation because it translates into you. If you will. Any other explanation is therefore not necessarily accurate.
An open, spatial narrative naming something that is not yet determined and not yet indeterminate. Literary, “reading” “translates” the reader. Challenging an intuitive knowing that is neither interpreted nor intentional. Some things that can never be googled. Addressing the knowability within the receiver. Ontologically, the conditions of the possibilities based on their nature and the possibilities of this constellation are addressed here.

"read me it will translate you"
Description: 3 unfired clay tablets (very fragile), each in a Plexiglas box for protection and cohesion in the case of an inexorable transitory change in the case of the possible effects of gravity, heat, moisture, etc. Carrying a proposition in its 3 parts. The three clay plates are preferably to be placed in such a way that a rather circular reading, with multifold entrances and exits is favoured in order to make a linear reading less likely or only with additional effort. The clay tablets are conceived horizontally and vary in their direction initiating multiple connections to be found.

In constellation with Fragile Infinity
Neon, infinity sign, also in a Plexiglas box with an 8-meter long power cable, 5 watermelons or in case there are no watermelons, the 9 Documents Drawings .

Footnote regarding the watermelons: Amazed by their planet-like appearance, as a water reservoir in the shape of a globe. In their various types with patterns, smooth surfaces mostly with scarved like drawings that reveal not much more in detail than that they didn't fall from the sky! ( and you know what that means)
At the same time there were also watermelons as I first installed it, as it was during watermelontime and that made me look more closely at them. For me, ‘artrealizing’ is constantly related to living (and the focus is on the verb). My work often consists of small gestures of combining what I have made with what is already there without hierarchy.
Even more intrigued by watermelons when I began researching them and was introduced to the fact that their seeds and drawings had been found in Egyptian tombs, including that of Tutankhamun, dating back over 4000 years.)