“Doubts Even Here" from Movement by New Order

"Equinoccio de otoño" is a visual reflection on the natural cycle and our often unconscious connection to it. The autumn equinox marks a moment of perfect balance between light and darkness, male and female, an instant in which day and night balance each other before nature begins its transition into the shadows.

In these works, bright red, present only in some details, contrasts with a palette of duller and more desaturated colors, dominated by grays, whites and blacks. While maintaining the artist's typical abstraction, the works evoke a feeling of expectation, reflected in the colors and shapes used. These tones, which for 108 represent elegance, comfort and peace, recall the autumnal transition, in which the vibrant shades of summer give way to a softer and more introspective chromatic delicacy.

Black, an essential element in 108's art, remains the fundamental pillar, symbol of introspection and that deepest and most invisible part of being. For the artist, this color best conveys the strength and impact needed to express the complexity of his artistic vision.

The creative act of 108 is deeply linked to music and mathematics, with a process that recalls a musical composition: each brushstroke is like a note, and each painting develops like a melody. This fusion of music and painting transforms each exhibition into a ritual, a celebration of natural cycles and seasons, in an attempt to bring modern man closer to the primordial forces from which he has distanced himself.

Among the works exhibited, one particular painting stands out for its emotional complexity: "Doubts Even Here", the title of a song by New Order, was the one he suffered the most during its creation. The artist continued to modify it incessantly, reflecting his uncertainties. This work is imbued with psychological and mythological references. Here, the figure of Apollo represents rationality, often a source of conflict with irrationality, which Bisagni associates with Dionysus.

In the painting, two letters emerge, A and B, as a reflection on the association of Apollo with Belenus, a continental Celtic deity worshipped mainly in Northern Italy, the artist's homeland (Piedmont). The toponyms of the region still retain traces of this mythological figure. During the creative process, Bisagni listens to podcasts, takes notes and lets these connections influence his works, mixing thoughts, symbols and cultural suggestions.

"Equinoccio de otoño" is a visual reflection on the natural cycle and our often unconscious connection to it. The autumn equinox marks a moment of perfect balance between light and darkness, male and female, an instant in which day and night balance each other before nature begins its transition into the shadows.

In these works, bright red, present only in some details, contrasts with a palette of duller and more desaturated colors, dominated by grays, whites and blacks. While maintaining the artist's typical abstraction, the works evoke a feeling of expectation, reflected in the colors and shapes used. These tones, which for 108 represent elegance, comfort and peace, recall the autumnal transition, in which the vibrant shades of summer give way to a softer and more introspective chromatic delicacy.

Black, an essential element in 108's art, remains the fundamental pillar, symbol of introspection and that deepest and most invisible part of being. For the artist, this color best conveys the strength and impact needed to express the complexity of his artistic vision.

The creative act of 108 is deeply linked to music and mathematics, with a process that recalls a musical composition: each brushstroke is like a note, and each painting develops like a melody. This fusion of music and painting transforms each exhibition into a ritual, a celebration of natural cycles and seasons, in an attempt to bring modern man closer to the primordial forces from which he has distanced himself.

Among the works exhibited, one particular painting stands out for its emotional complexity: "Doubts Even Here", the title of a song by New Order, was the one he suffered the most during its creation. The artist continued to modify it incessantly, reflecting his uncertainties. This work is imbued with psychological and mythological references. Here, the figure of Apollo represents rationality, often a source of conflict with irrationality, which Bisagni associates with Dionysus.

In the painting, two letters emerge, A and B, as a reflection on the association of Apollo with Belenus, a continental Celtic deity worshipped mainly in Northern Italy, the artist's homeland (Piedmont). The toponyms of the region still retain traces of this mythological figure. During the creative process, Bisagni listens to podcasts, takes notes and lets these connections influence his works, mixing thoughts, symbols and cultural suggestions.