Art is the better life
Edited by Christoph Lichtin and Flurina and Gianni Paravicini-Tönz.
With essays (german / english / french / italian) by Christoph Lichtin, Rainer Michael Mason and Vallerio Dehò.
Design: Urs Lüthi, Camillo Paravicini
Flexicover artificial leather, with gilt edging
10 × 14,8 cm, light weight paper.
1824 pages, thereof 96 coloured.
January 2009
ISBN 978-3-907474-51-8

In his new book, Urs Lüthi looks back on 40 years of artistic production. The publication deals not only with his individual works and installations but also with his impressive roster of exhibitions. These range from «Thought Processes Made Visible» (1970) and «Transformer» (1974), both curated by Jean-Christophe Ammann, to the Biennale in Venice (2001) and, most recently, his major retrospective at the Lucerne Museum of Fine Art (2009). Lüthi’s wide-ranging oeuvre demonstrates the importance of exhibition design in presenting his work. Printed on thin paper, the substantial publication contains 500 reproductions and several essays on various aspects of the artist’s oeuvre.

Art is the better life
Edited by Christoph Lichtin and Flurina and Gianni Paravicini-Tönz.
With essays (german / english / french / italian) by Christoph Lichtin, Rainer Michael Mason and Vallerio Dehò.
Design: Urs Lüthi, Camillo Paravicini
Flexicover artificial leather, with gilt edging
10 × 14,8 cm, light weight paper.
1824 pages, thereof 96 coloured.
January 2009
ISBN 978-3-907474-51-8

In his new book, Urs Lüthi looks back on 40 years of artistic production. The publication deals not only with his individual works and installations but also with his impressive roster of exhibitions. These range from «Thought Processes Made Visible» (1970) and «Transformer» (1974), both curated by Jean-Christophe Ammann, to the Biennale in Venice (2001) and, most recently, his major retrospective at the Lucerne Museum of Fine Art (2009). Lüthi’s wide-ranging oeuvre demonstrates the importance of exhibition design in presenting his work. Printed on thin paper, the substantial publication contains 500 reproductions and several essays on various aspects of the artist’s oeuvre.